This Week From Past – Bhaagi : A Rebel for Love (1990)

Release Date : 21 December,  1990.

BAAGHI: A Rebel for Love is a Bollywood film starring Salman Khan, Nagma, and Shakti Kapoor, which was released in 11 December 1990. It was Nagma’s first role in Bollywood, as the opening credits note; she was 15 years old when the film was released. In an ironic twist, the DVD cover has a warning noting that the movie is “suitable only for persons of 15 years and older,” presumably because the plot revolves around prostitution. Note, the subtitle “A Rebel for Love” does not appear on the DVD box, nor in the Hindi titles or license at the start of the movie.

The movie opens with a dedication, which reads: “In this year of the girl child, we dedicate our film to those women, who have been victimised by lust and greed and are subjected to social rejection and also laud those who strived to uplift them.”

Synopsys :

The story, based on an idea from Salman Khan, centres on Saajan, the son of a colonel in the Indian army, and Kaajal, a modest girl from “a respectable family.” The film opens with Saajan travelling in a bus, when he catches a glimpse of Kaajal on another bus, and they are both smitten. They do not formally meet and, since Saajan is off to start at college, he does not think he will ever see her again. But his new friends at college, Buddha, Tempo and Refill, one night insist that they all visit a brothel in a seedier part of Bombay. Saajan only reluctantly agrees, but ultimately refuses to select a prostitute – until he hears a new girl being beaten by her pimp, and decides to protect whoever she is. To his surprise, it is Kaajal again, called Paro at the brothel, who has been kidnapped by a pimp after she was tricked by a job offer in Bombay.

Kaajal, who has only very recently arrived at the brothel and is still a virgin, has adamantly refused to be a prostitute, hence Jaggu, who runs the brothel, beating her. When finally alone with Saajan as a paying client (although he does not, of course, do anything with her), Kaajal explains to Saajan how she was forced to look for work after her parents’ deaths, and how this ultimately led to her travelling to Bombay and being kidnapped by Dhanraj then forced to work in Jaggu’s brothel. Thanks to Leelabai, the madame who helps run the brothel for Jaggu, Saajan is able to spend time with Kaajal, and Kaajal is somehow able to keep resisting actually becoming a prostitute. Saajan and Kaajal fall in love, and he tries to find a way to get her out of the brothel before Kaajal gives up hope.

When Saajan is finally able to introduce Kaajal to his parents, they – not surprisingly – reject the idea of his marrying a girl from a brothel, even if she was taken there against her will and is actually from a respectable family. Since Saajan’s father, Col. Sood, was already angry with his son for refusing to follow family tradition and join the Indian army, this is the last straw, and Saajan is kicked out of his house. He becomes, in his own words, a rebel – a word which is repeated several times in the movie. Since Kaajal is already rebelling against Jaggu because she believes in love, they are now both “rebels for love.” With the help of Saajan’s college friends, they help Kaajal escape Jaggu’s brothel and flee Bombay to Ooty, near where her grandparents live. But just as they are about to be married with Kaajal’s grandparents’ consent, if not Saajan’s father’s, police arrive take them back to Bombay, where they claim he’s wanted for kidnapping “Paro”.

But Saajan’s father, upon hearing of his son’s heroics in fighting Dhanraj’s men to rescue Kaajal, suddenly has a new-found respect for his son, who had previously been a lazy drifter. With the help of Saajan’s three friends, Col. Sood finds his son outside Jaggu’s brothel, where the “police” (who are actually working for Dhanraj) have returned Saajan and Kaajal to Dhanraj, who is preparing to punish them both for her leaving the brothel. The intervention of Leelabai on Kaajal’s behalf leads to yet another fight, with several people switching alliances.

Songs :

  • Ek Chanchal Sokh Haseena (Abhijeet)
  • Kysa Lagata Hai (Amit Kumar & Anuradha Paudwal)
  • Chandni Raath Hai (Abhijeet & Kavita Krishnamurthy)
  • Tapori (Amit Kumar & Anand Chitragupt)
  • Har Kasam Se Badi Hai (Abhijeet & Kavita Krishnamurthy)
  • Mang Teri (Amit Kumar )

 Boxoffice :

Baaghi was second release of Salman khan after blockbuster hit “Maine Pyaar Kiya“. it opened to bumper response all over india and music of movie was already chartbuster at the time of release. However it couldn’t achieved  the heights of maine pyaar kiya and end up being a decent success. Baaghi collects 3.5 Crore at the time of release which if adjusted today will come close to 28 Crore. Overall it was Semi-hit movie.

Trivia :

  • To promote the film, producer Nitin Manmohan had car stickers made, with the caption: “Shut up, I am BAAGHI. Unnecessary honkers, beware…”.
  • The producer added a song to the film, “Tap Tap Tapori”, after the film was ready and its release date had been announced.
  • The idea for the story of this movie came from Salman Khan.

 

— BollyBusiness


~ by Yakuza on December 15, 2009.

8 Responses to “This Week From Past – Bhaagi : A Rebel for Love (1990)”

  1. thankx Yakuza.
    another great article. am surprised it was only sem-hit. i thought it waz a definite hit.
    oh well, good film anywayz.
    can u plz do Tere Naam. it is my fvourite film alongside PKTDK.
    thankx

  2. Great work yakuza, Thanks .. 🙂

    Bhaagi is one of my gavourite movies from early 90’s .. specially because of Great songs and Salman’s great looks … 🙂

  3. Excellent work Yakuza, no doubt Baaghi is amongst Salman Khan finest film. I think you got your facts wrong as Baaghi was a definite Hit, as it had a 75+% ROI, and yes, it did open bumper.

  4. Tons of thanks yakuza for this awsome stuff .. Hit or semihit .. songs of baaghi are close to my heart … Thanks for refreshing memory … 😀

  5. To add to my previous comments, if a film like Baaghi did 3.5 crores at the time, that’s huge and great, as it had no big stars in that film (Salman Khan was one film old), and it starred pure newcomers, so the budget was very low for this film.

    If a film like Kishan Kanhaniya and Thaanedaar did roughly the same business like Baaghi, with a bigger starcast, and yet be declared a Hit, then why wasn’t Baaghi?

  6. good point Randy

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